Some God of War PC ports sure could solve that problem. Our colleagues at Techradar say PSNow has " vastly improved since launch," but without a rock solid internet connection, you might run into some issues. Latency wasn't much of an issue, but video quality wasn't exactly great, either.īut that was in 2016. When we tried the PC client for PlayStation Now back in 2016, we found its performance good enough, even without a fast internet connection. PlayStation Now costs $10 per month (or $60 for a year). Not familiar with PlayStation Now? It's a cloud-based streaming subscription service, a bit like GeForce Now or Google Stadia, that lets you stream PlayStation games to a console or PC. Here's the selection of God of War games available on PlayStation Now: If you count Sony's PlayStation Now streaming service, you can actually play the entire God of War series (except a couple mobile/web tie-ins) on PC right now. Seems like a good time to catch up on those older God of War games now, huh? You can play all the old Gold of War games on PlayStation Now
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![]() ![]() Slant Magazine stated that "I Am Your Leader and Beez in the Trap two excellent tracks which manage to sound both bubbly and heavy as Minaj delivers her most effortlessly entertaining shit-talk to date". No Ripcord stated that "I Am Your Leader and Beez In The Trap are thrilling and make good use of cameos". Rob Markman of MTV News commended the performance of 2 Chainz, calling his verse in the song "charismatic", and went on to write that he "doesn't compromise a thing spitting alongside the multiplatinum rapper". Tom Ewing, writing for The Guardian, felt "Beez in the Trap" showed Minaj's awareness of her "divided fanbase": he noted that whilst Pink Friday: Roman Reloaded contained songs that were "precision-tooled for the modern pop environment", "Beez in the Trap" places more emphasis on Minaj's rapping ability, writing that the song "throw a bone to the listeners who just want to hear her rap". Club, Genevieve Koski described Minaj's performance as "relatively sedate but incredibly sharp": she called the song's production "spare" and "sonar-blip", and noted Minaj to be "at her most verbose" during the first six songs of the album. In her review of Pink Friday: Roman Reloaded for The A.V. Ryan Dombal of Pitchfork Media described "Beez in the Trap" as an "effortless, pinging schoolyard taunt", and, in a separate review of the song for the same publication, Carrie Battan complimented Minaj's "daunting swagger", writing that she "hits a spot sweet enough to render every single gripe obsolete for four and a half minutes". Although he felt that the song "lack real substance", Adam Fleischer of XXL praised "Beez in the Trap", calling it a "memorable moment" of Pink Friday: Roman Reloaded, and also complimented Minaj's "unique energy and distinct personality" displayed in the song. The song received generally mixed reviews. Calling it trap song, Nathan S of the music review site DJ Booth said Minaj "put aside her usually schizophrenic rhyme style in favor of a mellow, almost spoken style." Critical reception During the verses and bridge, her vocals are "biting and caustic", while in the choruses, her vocals are "matter-of-fact and almost bubbly" according to Jessica Sager of Popcrush. Throughout "Beez in the Trap", Minaj changes and adapts her vocal delivery to specific areas of the song. The song's musical structure is characterized by its ultra minimalistic production, devoid of any hooks and often veering on nothing but empty space, with the exception of a "bubble-pop" beat and a "growling" sub-bass. Its permutable soundscape incorporates a retro 1980s gangsta rap production, which consists of effects such as finger-snaps, sparse instrumentation, ricocheting sonar blips, "drip drip" synths, and features elements of dubstep and grime music. The music is built around a spacious and echoed beat, complemented by sparse hollow drums, and heavy-bass. ![]() "Beez in the Trap" is an electro-hop and hardcore hip-hop slow jam set in common time. In an interview with Graham Norton, Minaj stated "It just means, 'I am always.' you know, that's our slang way of saying, 'I beez doing such-and-such-and-such.' So it's really like, 'I am always in the trap.' Now, the trap, ladies and gentlemen, relates to anywhere where you get your money." Composition The song premiered on DJ Flex's radio show at Hot 97 on March 20, 2012. Kenoe said that the song's musical concept was simplicity as he didn't want "a million and one things going on in it", and credited it as being distinctive from the others included on the album. Later that same day, Minaj's A&R Mack Maine informed him that she was looking for "some rap shit", so he submitted more aggressive, urban songs in hopes of inclusion on the record. ![]() Originally, Kenoe began sending both pop and hip-hop songs to Minaj when he heard that production of her sophomore album had begun. Mixing of the song was done by Chabaz with additional help from Sher at Conway Studios. It was recorded at Conway Studios in Los Angeles, California by Ariel Chabaz and Finis "KY" White with assistance from Jon Sher. "Beez in the Trap" was written by Minaj, Maurice Jordan, and 2 Chainz, while production was handled by Kenoe. Minaj recruited rapper 2 Chainz for "Beez in the Trap". An accompanying music video for the track was released on Vevo on April 6, 2012. Musically, "Beez in the Trap" is primarily an electro-hop and hardcore hip hop song which features a retro 1980s gangsta rap production and elements of dubstep, grime, and trap. The track was released as the album's third single on following " Starships" and " Right by My Side". It was written by Minaj, Maurice Jordan, and 2 Chainz, who contributed a guest verse to the song, while production was handled by Kenoe. " Beez in the Trap" is a song by Trinidadian-American rapper and singer Nicki Minaj for her second studio album, Pink Friday: Roman Reloaded (2012). acknowledged that the cut girls were highly requested, but admitted it would be difficult to reconcile their backstories with the need for girls in DOAXVV to like the Owner, although he did acknowledge that they might add them in if they are to commemorate a special event in DOA history. During the third anniversary livestream, and when interviewed by 4Gamer, Sakuta D. When explaining the reasons for Leifang's inclusion, Sakuta D implied he may consider adding the other girls, noting that several of the players had a deep love for the past DOA girls. Over time, more new girls such as Luna, Tamaki and the rest were added, as well as Leifang who had been cut from Xtreme 3. The game features the nine characters from the previous game plus a new girl, Misaki, an original character prominently seen in magazine scans, screenshots and trailers. ![]() The game first played using the DMM Game Player.ĭOAXVV is a gacha game, a game based on luck/RNG in earning the proper outfits/accessories - which may be upgraded in a second moment and will directly affect characters' stats. The game uses high-quality 3D models similar to the previous game, Dead or Alive Xtreme 3.The game is free-to-play with micro-transactions. In Tokyo Game Show 2017 it was announced as a full-pledged PC game. The game was first announced in Tokyo Game Show 2016 as a browser game. ![]() The game was released in Japan on November 17, 2017. 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